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Inna is another one of Met-Art’s many starlets. Her distinctive lips, fiery red hair, and flawless form make her one of the most unforgettable models that continue to make appearances at Met-Art. Inna is presented by Voronin in an unusually submissive and innocent role in the series “Misses.” She is featured in the gallery alongside the ebony-haired model, Anna, whose beauty is equally breathtaking. Voronin has the foresight to pair two young women with equal yet contrasting attributes together for a riveting viewing experience.
The attire and the way the model’s hair is styled lend itself to the illusion that fuels the imagination. Both women appear younger than what they truly are. Ribbons adorn the long flowing tresses of the women. The model’s hair is loosely pulled into two pony tails and adorned with colorful bows.
Each model wears stockings that emphasize their long shapely legs. Anna and Inna pose without undergarments from the opening of the photo shoot. Anna is clad in a multi-colored blouse and white striped stockings. Inna is stunning in a lime baby doll top and coordinating hose.
Voronin captures the models posing with balloons and bubbles throughout the series. A bright white backdrop surrounds the two visions of beauty. The carefully chosen props and overall feeling of the gallery add to the theme of missies at play. Inna’s amazingly full cherry lips are on display as she puckers to blow bubbles through a ring with Anna.
The cover photograph from “Misses” displays the images of Anna and Inna seated side-by-side upon a white floor. Anna’s stocking-clad legs are parted at the forefront of the picture. Inna is slightly situated behind and to the side of Anna. The red-headed model poses with her ivory hands demurely folded beneath her chin. Both models reveal the pinkness between their parted thighs.
Anna and Inna next pose with a shiny red balloon. Anna holds the balloon while Inna traces it’s circumference with a carefully manicured finger. Inna presses her forehead against the side of Anna’s temple so that her refined profile is clearly visible. Anna boldly eyes Voronin’s camera.
The two models are presented in the following featured photograph standing against a black pole. Each enchantress has shed their tops at this point. Inna pushes one of her breasts and her toned abdomen against the length of the pole. Anna wraps both of her hands around Inna’s slender waist. The smoothness of the model’s skin is unmistakable.
The final picture again reveals an image of Anna and Inna captured in a sitting position. Anna is positioned behind Inna with her legs open and her chest leaning into the back of Inna’s shoulders. Inna tilts her head to the side and pulls her knees close to her breasts. The black pole in the previously described photo is present at the edge of the picture.
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